My point is that you might be getting too bogged down in the details and specs. Now don't get me wrong, I stand by my work and I think I'm good at it, most importantly I know my gear and I know how to get good results out of it. I don't use a $20,000 monitor or a $30,000 control panel, I don't have my walls painted an exact shade of grey, and I don't have a Christie projector and 20 foot screen to guarantee absolute true color translation to theaters. With those savings though come compromises and realistic expectations. My clients hire me because.let's face it.I'm inexpensive compared to a full blown facility like Technicolor or Deluxe. Much like yourself, I work on a hackintosh and freelance as a colorist. My UP2715K says Adobe RGB 98% and DCI-P3 not declared, that means that probably the DCI-P3 percentage is very low. I've seen many specs from different monitors: one says Adobe RGB 99% and DCI-P3 98%, another says Adobe RGB 99% and DCI-P3 84%, another Adobe RGB 99% and DCI-P3 78%. If instead I used Windows, something changed?Īdriano Castaldini wrote:Well. Which is in your opinion the most cheapest P3-compatible (let's say 95% min.) 10bit monitor to be connected to the Blackmagic external card?ģ. But having OSX, I think I should use some Blackmagic external card to connect the Preview monitor in order to work in 10bit, right?Ģ. If the 1st anwer is NO, then this should mean that I have to use two monitors (1 for the GUI and the second for the Preview). If all the 3 answers are YES, it should mean that with a proper monitor I could grade P3-8bit within the GUI (so a one-monitor solution). And anyway, the little GUI preview should be always at 8bit, even in Windows, right? Using OSX, anyway, I should see all at 8bit, and not at 10bit, right?ģ. Having a Hackintosh SIerra + Titan X (Maxwell), can I grade on a P3-compatible Monitor directly within the GUI screen?Ģ. All solutions seems to be pretty expensive, so first of all I'd need some information:ġ. My UP2715K seems to be not compatible with DCI-P3, so I'm wondering which monitor to buy. Now I have to start grading some P3 thing. I graded within the GUI: I don't have a big studio and I was pretty happy to have all (controls + little preview) in a single monitor. And best of all, we’ll be able to focus on getting great new features into your hands faster.Up to now I did some Rec.709 grading with Davinci, Hackintosh Sierra, 2x Titan X (Maxwell) and a Dell UP2715K. After this initial integration phase, European users will see improved in-time-zone support. In the coming months we will transition our customer support, websites, and other infrastructure to Hedge. The next time your ScopeBox subscription renews, it will most likely come from a email address. Your current serials will continue to work. The applications will continue to be maintained and improved. Together we have big plans for EditReady and ScopeBox and how they can grow as stand alone apps while also benefiting from and strengthening the Hedge and Postlab workflows. The potential for both apps is larger than ever, and the added resources of Hedge will allow me to focus on what is most important – creating tools that simplify users’ workflows and allow video professionals to focus on the artistry of telling great stories. As we began discussing ways we might work together, it quickly became obvious I should join the team and roll EditReady and ScopeBox into Hedge’s offerings. Their clean and powerful apps and personal, responsive support are exactly what we’ve strived to achieve. Hedge has always stood out as an amazing team of like minded people. My soul searching quickly led to a conversation with Paul at Hedge. The pandemic highlighted how over-dependent the products are on my time and resources, and I began considering ways to improve their viability over the next 15 years. I’ve relocated from New York to Minneapolis and finally San Francisco. In that same time, the market has matured and workflows have changed. In that time, we’ve seen the rise and fall of competitors spun an in house test harness into the immensely popular ClipWrap rode the transition from AVCHD to DSLRs, professional tapeless workflows, and RAW with EditReady and even made a short lived javascript video delivery codec (anyone remember Phosphor?). I retired from video editing 15 years ago to begin development on ScopeBox (check out this dated website !), and it’s been a wild ride ever since. In addition, Colin and I will be joining the team to continue development on both apps, as well as looking for ways to make the suite even more powerful and seamless. I’m excited to announce that EditReady and ScopeBox have been acquired by Hedge, becoming part of their amazing collection of video production software.
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